*Ludwig
Van Beethoven*
(1770-1827)
German
composer, generally considered one of the greatest composers in the Western
tradition. Born in Bonn, Beethoven went to Vienna in 1792 to study under
Austrian composer Joseph Haydn. In Vienna, he dazzled the aristocracy with
his piano improvisations and became a successful freelance composer.
In
the first decade of the 19th century Beethoven expanded the musical language
bequeathed by Haydn and Wolfgang Amadeus Mozart and revealed his complete
assimilation of the Viennese classical style. Beethoven's fame reached
its zenith during these years, but a hearing impairment he had first noted
in 1798 steadily worsened. He performed in public only rarely, making his
last appearance in 1814. By 1818 Beethoven was virtually deaf. Although
he withdrew from all but a steadily shrinking circle of friends, his prestige
was still so great that during his last illness he received huge outpourings
of sympathy.
Beethoven's
major output consists of 9 symphonies, 7 concertos, 17 string quartets,
32 piano sonatas, 10 sonatas for violin and piano, 5 sonatas for cello
and piano, an opera, 2 masses, several overtures, and numerous sets of
piano variations.
His
works of the decade from 1802 to 1812 represent an expansion of the tighter
forms of Haydn and Mozart, as is apparent in the Eroica Symphony and the
Piano Concerto no. 5 (Emperor, 1809), as well as in Symphony no. 5 (1808).
The
few works of the years after 1812 revived and expanded the more relaxed
musical structures Beethoven had employed in the 1790s. In 1818 he returned
to the tightly structured heroic style in his Piano Sonata in B-flat Major
op. 106 (Hammerklavier) , a work of unprecedented length and difficulty.
The
works of Beethoven's last period are marked by an individuality that later
composers would admire but could scarcely emulate. In the Ninth Symphony and the Missa solemnis Beethoven gave expression to an all-embracing
view of idealized humanity. In the five string quartets of 1824 to 1826,
Beethoven achieved an ideal synthesis between popular and learned styles
and between the humorous and the sublime. Judged inaccessible in their
time, the string quartets have become—as has so much of Beethoven's output
— yardsticks against which all other musical achievements are measured.
Beethoven towered over the 19th century, embodying the heroic ideal and
the romantic perception of the composer as an artist who pursues a personal
vision beyond the creation of music ordered by a patron. However, Beethoven's
immediate musical influence was limited. For some composers, Beethoven's
legacy was paralyzing. It was not until the late romantic symphonies of
Austrian composers Anton Bruckner and Gustav Mahler that Beethoven's symphonic
ideal was carried to what is often regarded as its final stage of development.
Today Beethoven's works form the core of orchestral and chamber music repertoires
worldwide.
Special
thanks to the Microsoft Corporation for permission
to use biographical information from
Microsoft® Encarta. |
Personal
Favourites
~
"
Ode to Joy"
Symphony
No. 9 in D Minor
Famous
Works
~
Symphony
No.5 in C Minor
"Fur
Elise"
"Moonlight
Sonata"
Piano
Sonata No. 14in C sharp minor, Op. 27, No. 2
Links
~
Find
out more about this artist. Links
with a * are highly recommended.
Classical Net's
Beethoven Page
LUDWIG
van BEETHOVEN
The
Magnificent Master
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